"Black God, White Devil" is a Brazilian film directed by Glauber Rocha, released in 1964. It is a key work of the Cinema Novo movement, which sought to address social issues in Brazil through innovative storytelling and visual style. The film follows the journey of a young man named Manuel, who becomes entangled in a conflict between a charismatic bandit and a religious leader, exploring themes of faith, violence, and the struggle for identity. The narrative is set in the Brazilian hinterlands and reflects the socio-political climate of the time. It combines elements of Western and Brazilian folklore, using allegory to critique colonialism and the oppressive structures of society. The film's striking imagery and poetic dialogue have made it a significant piece in world cinema, influencing filmmakers and artists globally.