"Kino-Eye" is a concept developed by Soviet filmmaker Dziga Vertov in the 1920s. It refers to the idea of using film as a tool to capture reality in a way that transcends traditional storytelling. Vertov believed that the camera could reveal truths about the world that the human eye might miss, emphasizing the importance of documentary filmmaking. The term is closely associated with Vertov's film "Man with a Movie Camera," which showcases everyday life in Soviet Russia. Through innovative techniques like fast motion, slow motion, and montage, "Kino-Eye" aims to present a dynamic and authentic representation of life, challenging viewers to see the world from a new perspective.