Vertov refers to Dziga Vertov, a pioneering Soviet filmmaker and theorist known for his innovative approach to documentary filmmaking. He is best known for his 1929 film, Man with a Movie Camera, which showcases everyday life in Soviet cities through a series of experimental techniques, including fast motion, slow motion, and split screens. Vertov aimed to capture reality in a way that emphasized the power of cinema as a medium. Vertov was a key figure in the Kino-Eye movement, which advocated for the use of film to document and analyze the world. His work emphasized the importance of the camera as an objective observer, promoting the idea that film could reveal truths about society and human experience.