Theater of the Absurd is a dramatic movement that emerged in the mid-20th century, characterized by its focus on the illogical and nonsensical aspects of human existence. It often portrays a world where traditional narratives and structures break down, reflecting the absurdity of life. Key playwrights associated with this movement include Samuel Beckett, Eugène Ionesco, and Harold Pinter. In these plays, characters frequently engage in meaningless dialogue and repetitive actions, highlighting the futility of communication and the search for meaning. The style challenges conventional storytelling, using absurdity to provoke thought and evoke emotions, ultimately questioning the nature of reality and human experience.