An "Odalisque" refers to a female slave or concubine in a harem, particularly in the context of the Ottoman Empire. The term is often associated with the depiction of women in art, especially in the 19th century, where they are portrayed in luxurious settings, emphasizing sensuality and exoticism. Artists like Jean-Auguste-Dominique Ingres and Eugène Delacroix famously painted odalisques, showcasing their beauty and allure. These artworks often reflect Western fantasies about the East, blending reality with imagination. The odalisque became a symbol of the romanticized view of Eastern culture during this period.