New Taiwanese Cinema refers to a film movement that emerged in the late 1980s and early 1990s in Taiwan. It is characterized by its focus on realistic storytelling, social issues, and the exploration of Taiwanese identity. Filmmakers sought to break away from traditional commercial cinema, often incorporating personal and political themes into their narratives. Key figures in this movement include directors like Hou Hsiao-hsien and Edward Yang, who gained international recognition for their work. The films often feature a slower pace and a more contemplative style, reflecting the complexities of life in Taiwan during a time of significant social and political change.