"Kino Eye" is a term associated with the early 20th-century film movement known as Soviet Montage. It refers to the idea of using film as a tool for social and political change, emphasizing the power of visual storytelling. The concept was popularized by filmmakers like Dziga Vertov, who believed that cinema could capture reality in a way that traditional art forms could not. The term also relates to Vertov's 1924 film titled Man with a Movie Camera, which showcases the everyday life of Soviet citizens through innovative editing techniques. "Kino Eye" represents a vision of cinema that seeks to reveal deeper truths about society and human experience.